I work with colour as both material and language. I use the term "colouring" to define my approach—where colour leads, and form follows. Through colour, material, and chance, my work explores how we experience nature through the senses. I create works that invite the body to feel colour as vibration, matter, and time. My practice spans textiles, pigment experiments, and site-specific actions, working through material alchemy, intuition, and place. Nature is both collaborator and witness.

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With a background in natural dyeing and pigment extraction, I have spent over a decade devolpoing how colour behaves, imprints, and erodes over time. Learning from master artisans in Mexico and India, I engage with endangered craft techniques while cultivating my own garden for art materials. My process embraces chance and transformation—throwing pigment, blindfolded mark-making, tearing and layering, allowing the senses and natural elements to shape the work.

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I am currently developing new painting recipes and hand-crafted tools while expanding into experimental documentation, photography, and film—continuing to push how colour shapes a sensorial experience.

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